TDC2 2010 – Display Type

We're making steady progress here – the only thing that bugs me i

https://eng.fontke.com/article/2202/

Interview: Jessica Hische on lettering mistakes, why you should code & why cheap designers are like free sofas

Jessica Hische is a bit of a dichotomy. Alongside producing hand-

https://eng.fontke.com/article/4784/

ScreenFonts: Precious, Pirate Radio, The Messenger, Women In Trouble, The Road

The problem with being that late with the previous episode of Scr

https://eng.fontke.com/article/1959/

很多人问我字体设计的过程是怎样的，看这个就明白了（一）

多人问我字体设计的过程是怎样的，我一般就简单的说先手绘然后钢笔勾。其实也就是这样。重要的是你要有满意的手绘稿，然后再加上满意的后期软件处理。这个过程可 

https://eng.fontke.com/article/3530/

TDC2 2009 | The Text Faces

After the involuntary extended delay in publishing here's the sec

https://eng.fontke.com/article/1087/

My Type of Music: Gillian Welch, Jill Scott, Gomez, Thievery Corporation, Beyoncé

I'd like to welcome to The FontFeed any new readers coming in fro

https://eng.fontke.com/article/4947/

ScreenFonts: Fun Size, Chasing Mavericks, The Sessions, The American Scream

I suppose American FontFeed readers are recovering from yesterday

https://eng.fontke.com/article/9817/

Celebrating 20 Years of FontShop With Erik Spiekermann

Starting up FontShop was only the beginning of Erik Spiekermann's

https://eng.fontke.com/article/1910/

ScreenFonts: From Paris With Love, The Wolfman, Ghostwriter, The Crazies, Cop Out, A Prophet

Oy vey, ridiculously late episode. This time the extensive TDC2 p

https://eng.fontke.com/article/2245/

Figuring Out Numerals

A support request made me realize that we don't really have an al

https://eng.fontke.com/article/4875/