Times LT Pro Font Parameters,TimesLTPro-BoldItalic Font Parameters,Times LT Pro Bold Italic Font Parameters|TimesLTPro-BoldItalic Version 1.000 Build 1000 Font Parameters-OTF Font/Uncategorized Font-Fontke.com

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Times LT Pro Bold ItalicVersion 1.000 Build 1000

Times LT Pro Bold Italic Font main detail

Font family:	Times LT Pro
Font style:	Bold Italic
Font version:	Version 1.000 Build 1000
Typeface type:	Uncategorized
Characters:	456
Number of glyphs:	426
Font weight:	Bold
Font width:	Medium (normal)
Languages:	Latin Greek Symbols
Unicode blocks:	Basic Latin Latin-1 Supplement Latin Extended-A Latin Extended-B Spacing Modifier Letters Greek and Coptic Latin Extended Additional General Punctuation Currency Symbols Letterlike Symbols Number Forms Mathematical Operators Geometric Shapes Private Use Area Alphabetic Presentation Forms
Source:	Official
File format:	OTF
License type:	Non-Commercial The way of license is for reference only. Please contact the copyright party to purchase commercial license.
Font embedding license:	Installable Embedding

Times LT Pro Bold Italic Name detail

Microsoft - English (United States)

Copyright notice：	Copyright © 2014 Monotype Imaging Inc. All rights reserved.
Font family：	Times LT Pro
Font Subfamily name：	Bold Italic
Unique font identifier：	Monotype Imaging Inc.:Times LT Pro Bold Italic:2014
Full font name：	Times LT Pro Bold Italic
Version string：	Version 1.000 Build 1000
Postscript name：	TimesLTPro-BoldItalic
Trademark：	Times is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Manufacturer Name：	Monotype Imaging Inc.
Designer：	Stanley, Morison
Description：	In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman, Morison's revision became Times New Roman. The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply Times, was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times, Times Europa, and Times New Roman are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. The Times family offers many versions of this font: Times is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, oldstyle figures, phonetic characters. Times Ten is the version specially designed for smaller text (10 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as for Central European, Cyrillic, and Greek typesetting. Times Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer. Times Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions.
URL Vendor：	http://www.monotype.com
URL Designer：	http://www.monotype.com
License Description：	This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
License Info URL：	http://www.monotype.com

Copyright notice：	Copyright © 2014 Monotype Imaging Inc. All rights reserved.
Font family：	Times LT Pro
Font Subfamily name：	Bold Italic
Unique font identifier：	Monotype Imaging Inc.:Times LT Pro Bold Italic:2014
Full font name：	TimesLTPro-BoldItalic
Version string：	Version 1.000 Build 1000
Postscript name：	TimesLTPro-BoldItalic
Trademark：	Times is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Manufacturer Name：	Monotype Imaging Inc.
Designer：	Stanley, Morison
Description：	In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman, Morison's revision became Times New Roman. The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply Times, was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times, Times Europa, and Times New Roman are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. The Times family offers many versions of this font: Times is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, oldstyle figures, phonetic characters. Times Ten is the version specially designed for smaller text (10 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as for Central European, Cyrillic, and Greek typesetting. Times Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer. Times Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions.
URL Vendor：	http://www.monotype.com
URL Designer：	http://www.monotype.com
License Description：	This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
License Info URL：	http://www.monotype.com

Times LT Pro Bold Italic Measurement detail

Every Pixel unit:	1000	Size of superscript horizontal font :	650
Horizontal minimum:	-200	Size of superscript vertical font	600
Vertical minimum:	-218	Superscript horizontal deviation	-20
Horizontal maximum:	996	Superscript vertical deviation	75
Vertical maximum:	921	Size of subscript level font:	650
MacStyle:	3	Size of subscript vertical	600
Minimum readable pixel size:	3	Subscript horizontal offset:	94
Font directionHint:	2	Subscript vertical offset:	350
Ascending part:	683	Delete line size:	50
Descending part:	-317	Delete line position:	270
Line spacing:	200	Font selection identifier:	417
Maximum step width:	1000	Typography ascending:	683
Minimum left side beraring:	-200	Typography descending	-317
Minimum right side beraring:	-169	Typography spacing:	200
Horizontal maximum width:	996	WindowsAscending part:	921
Non component maximum points	0	WindowsDescending part:	218
Non component maximum contours	0	Bevel:	-983040
Word weight type:	700	Underline position:	-75
Word width type:	5	Underline thickness:	50

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