Font family: | umbxsl10 |
Font style: | |
Font version: | Version 1.0 |
Typeface type: | |
Characters: | 283 |
Number of glyphs: | 234 |
Font weight: | |
Font width: | |
Languages: | |
Unicode blocks: | |
Source: | |
File format: | |
License type: | |
Font embedding license: |
Copyright notice: | Copyright 1998 Richard J. Kinch, kinch@truetex.com |
Font family: | umbxsl10 |
Font Subfamily name: | Regular |
Unique font identifier: | FontMonger:umbxsl10 |
Full font name: | umbxsl10 |
Version string: | Version 1.0 |
Postscript name: | Umbxsl10 |
Trademark: | "Universal Modern" is a trademark of Richard J. Kinch |
Manufacturer Name: | TrueTeX Software |
Designer: | Richard J. Kinch, after Donald E. Knuth, et al. |
Description: | The Universal Modern fonts are outline versions of Donald Knuth's Computer Modern METAFONT-based fonts for the TeX typesetting system, with a larger character set following the Unicode standard for encoding. Knuth based his designs on Monotype 8A, pre-digital faces which were used to set the first volumes of his famous books of the 1970s on _The Art of Computer Programming_. In his remarkable 1986 book, _Computer Modern Typefaces_, Knuth credits Hermann Zapf, Matthew Carter, Richard Southall, Neenie Billawala, Charles Bigelow, Kris Holmes, and "the anonymous original designer of Monotype 8A" as responsible for any merit in the designs. While many consider these designs out of fashion, and even frumpy, Knuth's typefaces have been used to set far more technical documents than any other style. Knuth's METAFONT designs consist of pen strokes and filled shapes which overlap, a more sophisticated and incompatible design model compared to that of TrueType. The difficult conversion to outlines was performed by Kinch's Metafog, a software system for planar constructive geometry using shapes defined by Bezier curves. |
URL Vendor: | http://truetex.com |
URL Designer: | http://truetex.com |
Every Pixel unit: | 2048 | Size of superscript horizontal font : | 410 |
Horizontal minimum: | -156 | Size of superscript vertical font | 369 |
Vertical minimum: | -631 | Superscript horizontal deviation | 0 |
Horizontal maximum: | 2673 | Superscript vertical deviation | -414 |
Vertical maximum: | 1851 | Size of subscript level font: | 410 |
MacStyle: | 0 | Size of subscript vertical | 369 |
Minimum readable pixel size: | 6 | Subscript horizontal offset: | 0 |
Font directionHint: | 2 | Subscript vertical offset: | 1181 |
Ascending part: | 1434 | Delete line size: | 102 |
Descending part: | -434 | Delete line position: | 530 |
Line spacing: | 0 | Font selection identifier: | 64 |
Maximum step width: | 2746 | Typography ascending: | 1434 |
Minimum left side beraring: | -156 | Typography descending | -414 |
Minimum right side beraring: | -2081 | Typography spacing: | 0 |
Horizontal maximum width: | 2673 | WindowsAscending part: | 1851 |
Non component maximum points | 123 | WindowsDescending part: | 631 |
Non component maximum contours | 6 | Bevel: | -655360 |
Word weight type: | 400 | Underline position: | -17 |
Word width type: | 5 | Underline thickness: | 3 |