DIN OT Font Parameters,DIN OT Black Italic Font Parameters,DIN OT Black Font Parameters,DINOT-BlackItalic Font Parameters|DIN OT Black Italic Version 7.601, build 1030, FoPs, FL 5.04 Font Parameters-TTF Font/Uncategorized Font-Fontke.com

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DIN OT Black ItalicVersion 7.601, build 1030, FoPs, FL 5.04

Font family:	DIN OT
Font style:	Black Italic
Font version:	Version 7.601, build 1030, FoPs, FL 5.04
Typeface type:	Uncategorized
Characters:	430
Number of glyphs:	646
Font weight:	Heavy Black
Font width:	Medium (normal)
Languages:	Latin Greek Symbols
Unicode blocks:	Basic Latin Latin-1 Supplement Latin Extended-A Latin Extended-B Spacing Modifier Letters Combining Diacritical Marks Greek and Coptic Latin Extended Additional General Punctuation Superscripts and Subscripts Currency Symbols Letterlike Symbols Number Forms Arrows Mathematical Operators Enclosed Alphanumerics Geometric Shapes Dingbats Alphabetic Presentation Forms
Source:	Official
File format:	TTF
License type:	Non-Commercial The way of license is for reference only. Please contact the copyright party to purchase commercial license.
Font embedding license:	Installable Embedding

DIN OT Black Italic Name detail

Microsoft - English (United States)

Copyright notice：	Copyright © 1995-2018 Monotype GmbH. All rights reserved
Font family：	DIN OT Black
Font Subfamily name：	Italic
Unique font identifier：	Albert-Jan Pool: DIN OT Black Italic: 2016
Full font name：	DIN OT Black Italic
Version string：	Version 7.601, build 1030, FoPs, FL 5.04
Postscript name：	DINOT-BlackItalic
Trademark：	FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. DIN is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Designer：	Albert-Jan Pool
Description：	1994, San Francisco: Albert-Jan Pool and Erik Spiekermann took a cab together from the ATypI conference to the airport. Having known that PoolÕs employer had just gone bust, Spiekermann told him that if he wanted to earn some money with type design, he should have looked at fonts such as OCR and DIN. He invited Pool to Berlin to discuss the idea in detail. One year later, FontFont published PoolÕs FF OCR-F typeface, followed by FF DIN. Spiekermann was keenly aware of an empty space in the market. Digital DIN fonts were available at the time, but only in two weights of purely geometric shapes. Pool then designed a family of five weights. He added true italics and some alternative characters, such as the ÒiÓ with a round dot and lowercase figures. Later, five weights of FF DIN Condensed were added, as well as Greek and Cyrillic versions. The shape of the new FF DIN differs from the original mostly by thinner horizontal strokes and more fluent curves. Despite its primitive, technical look and clear reference to the German motorway signboards, FF DIN has become a phenomenon. The typeface has pervaded corporate and publication typography, and found its place in posters of cultural institutions. In 2011, the Museum of Modern Art in New York added the first digital typefaces to its permanent collection. Presumably due in part to the immense popularity enjoyed by FF DIN since its release in the mid-1990s, it was one of 23 designs to be included. FF DIN debuted at MoMA as part of the ÒStandard DeviationsÓ installation in the contemporary design gallery. In 2014, German type designer Yanone was commissioned by FontFont to extend the popular FF DIN into the Arabic alphabet. Yanone had previously designed the corporate typeface for JordanÕs capital Amman which was published as FF Amman in Latin and Arabic, and had secretly hoped that he could one day design FF DINÕs Arabic counterpart. Coincidentally, he chose a similar approach to the development of the original DIN in the early 1900s, which started out as a hand-written master drawing and later resulted as standard DIN 1451. Yanone engineered FF DIN Arabic, published in 2015, by basing the letter shapes and proportions on a simplified hand-written Naskh skeleton on a grid. Step by step he boiled down the shapes into the digital master drawings that feature the same clarity and legibility of the Latin DIN. In 2015, two new weights Thin and Extra Light (with Italics) for both FF DIN (Normal) and FF DIN Condensed were added to the family. New Greek extensions were also introduced.
License Description：	This font software is the property of Monotype GmbH, or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype by clicking here: www.monotype.com.
Typographic Family name：	DIN OT
Typographic Subfamily name：	Black Italic

Copyright notice：	Copyright © 1995-2018 Monotype GmbH. All rights reserved
Font family：	DIN OT Black
Font Subfamily name：	Italic
Unique font identifier：	Albert-Jan Pool: DIN OT Black Italic: 2016
Full font name：	DIN OT Black Italic
Version string：	Version 7.601, build 1030, FoPs, FL 5.04
Postscript name：	DINOT-BlackItalic
Trademark：	FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. DIN is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Designer：	Albert-Jan Pool
Description：	1994, San Francisco: Albert-Jan Pool and Erik Spiekermann took a cab together from the ATypI conference to the airport. Having known that Pool’s employer had just gone bust, Spiekermann told him that if he wanted to earn some money with type design, he should have looked at fonts such as OCR and DIN. He invited Pool to Berlin to discuss the idea in detail. One year later, FontFont published Pool’s FF OCR-F typeface, followed by FF DIN. Spiekermann was keenly aware of an empty space in the market. Digital DIN fonts were available at the time, but only in two weights of purely geometric shapes. Pool then designed a family of five weights. He added true italics and some alternative characters, such as the “i” with a round dot and lowercase figures. Later, five weights of FF DIN Condensed were added, as well as Greek and Cyrillic versions. The shape of the new FF DIN differs from the original mostly by thinner horizontal strokes and more fluent curves. Despite its primitive, technical look and clear reference to the German motorway signboards, FF DIN has become a phenomenon. The typeface has pervaded corporate and publication typography, and found its place in posters of cultural institutions. In 2011, the Museum of Modern Art in New York added the first digital typefaces to its permanent collection. Presumably due in part to the immense popularity enjoyed by FF DIN since its release in the mid-1990s, it was one of 23 designs to be included. FF DIN debuted at MoMA as part of the “Standard Deviations” installation in the contemporary design gallery. In 2014, German type designer Yanone was commissioned by FontFont to extend the popular FF DIN into the Arabic alphabet. Yanone had previously designed the corporate typeface for Jordan’s capital Amman which was published as FF Amman in Latin and Arabic, and had secretly hoped that he could one day design FF DIN’s Arabic counterpart. Coincidentally, he chose a similar approach to the development of the original DIN in the early 1900s, which started out as a hand-written master drawing and later resulted as standard DIN 1451. Yanone engineered FF DIN Arabic, published in 2015, by basing the letter shapes and proportions on a simplified hand-written Naskh skeleton on a grid. Step by step he boiled down the shapes into the digital master drawings that feature the same clarity and legibility of the Latin DIN. In 2015, two new weights Thin and Extra Light (with Italics) for both FF DIN (Normal) and FF DIN Condensed were added to the family. New Greek extensions were also introduced.
License Description：	This font software is the property of Monotype GmbH, or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype by clicking here: www.monotype.com.
Typographic Family name：	DIN OT
Typographic Subfamily name：	Black Italic

DIN OT Black Italic Measurement detail

Every Pixel unit:	1000	Size of superscript horizontal font :	478
Horizontal minimum:	-235	Size of superscript vertical font	398
Vertical minimum:	-232	Superscript horizontal deviation	-30
Horizontal maximum:	1199	Superscript vertical deviation	150
Vertical maximum:	1157	Size of subscript level font:	478
MacStyle:	2	Size of subscript vertical	398
Minimum readable pixel size:	7	Subscript horizontal offset:	87
Font directionHint:	2	Subscript vertical offset:	434
Ascending part:	1041	Delete line size:	102
Descending part:	-237	Delete line position:	295
Line spacing:	10	Font selection identifier:	385
Maximum step width:	1222	Typography ascending:	764
Minimum left side beraring:	-235	Typography descending	-236
Minimum right side beraring:	-238	Typography spacing:	288
Horizontal maximum width:	1199	WindowsAscending part:	1041
Non component maximum points	140	WindowsDescending part:	237
Non component maximum contours	7	Bevel:	-720896
Word weight type:	900	Underline position:	-78
Word width type:	5	Underline thickness:	102

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