Stempel Garamond LT Pro Font Parameters,StempelGaramondLTPro-Italic Font Parameters,Stempel Garamond LT Pro Italic Font Parameters|StempelGaramondLTPro-Italic Version 1.000 Build 1000 Font Parameters-OTF Font/Uncategorized Font-Fontke.com

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Stempel Garamond LT Pro ItalicVersion 1.000 Build 1000

Stempel Garamond LT Pro Italic Font main detail

Font family:	Stempel Garamond LT Pro
Font style:	Italic
Font version:	Version 1.000 Build 1000
Typeface type:	Uncategorized
Characters:	586
Number of glyphs:	555
Font weight:	Normal
Font width:	Medium (normal)
Languages:	Latin Greek Symbols
Unicode blocks:	Basic Latin Latin-1 Supplement Latin Extended-A Latin Extended-B Spacing Modifier Letters Greek and Coptic General Punctuation Currency Symbols Letterlike Symbols Mathematical Operators Geometric Shapes Private Use Area Alphabetic Presentation Forms
Source:	Official
File format:	OTF
License type:	Non-Commercial The way of license is for reference only. Please contact the copyright party to purchase commercial license.
Font embedding license:	Installable Embedding
Foundry:	Adobe Linotype D. Stempel

Stempel Garamond LT Pro Italic Name detail

Microsoft - English (United States)

Copyright notice：	Copyright © 2014 Monotype GmbH. All rights reserved.
Font family：	Stempel Garamond LT Pro
Font Subfamily name：	Italic
Unique font identifier：	Monotype GmbH.:Stempel Garamond LT Pro Italic:2014
Full font name：	Stempel Garamond LT Pro Italic
Version string：	Version 1.000 Build 1000
Postscript name：	StempelGaramondLTPro-Italic
Trademark：	Stempel Garamond is a trademark of Monotype GmbH and may be registered in certain jurisdictions.
Manufacturer Name：	Monotype GmbH
Designer：	D. Stempel AG
Description：	Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. There exists several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, old style figures, and Central European characters.
URL Vendor：	http://www.monotype.com/
URL Designer：	http://www.monotype.com/
License Description：	This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
License Info URL：	http://www.monotype.com/

Copyright notice：	Copyright © 2014 Monotype GmbH. All rights reserved.
Font family：	Stempel Garamond LT Pro
Font Subfamily name：	Italic
Unique font identifier：	Monotype GmbH.:Stempel Garamond LT Pro Italic:2014
Full font name：	StempelGaramondLTPro-Italic
Version string：	Version 1.000 Build 1000
Postscript name：	StempelGaramondLTPro-Italic
Trademark：	Stempel Garamond is a trademark of Monotype GmbH and may be registered in certain jurisdictions.
Manufacturer Name：	Monotype GmbH
Designer：	D. Stempel AG
Description：	Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. There exists several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, old style figures, and Central European characters.
URL Vendor：	http://www.monotype.com/
URL Designer：	http://www.monotype.com/
License Description：	This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
License Info URL：	http://www.monotype.com/

Stempel Garamond LT Pro Italic Measurement detail

Every Pixel unit:	1000	Size of superscript horizontal font :	650
Horizontal minimum:	-170	Size of superscript vertical font	600
Vertical minimum:	-275	Superscript horizontal deviation	-16
Horizontal maximum:	1018	Superscript vertical deviation	75
Vertical maximum:	974	Size of subscript level font:	650
MacStyle:	2	Size of subscript vertical	600
Minimum readable pixel size:	3	Subscript horizontal offset:	74
Font directionHint:	2	Subscript vertical offset:	350
Ascending part:	974	Delete line size:	50
Descending part:	-275	Delete line position:	254
Line spacing:	0	Font selection identifier:	257
Maximum step width:	1000	Typography ascending:	754
Minimum left side beraring:	-170	Typography descending	-246
Minimum right side beraring:	-281	Typography spacing:	200
Horizontal maximum width:	1018	WindowsAscending part:	974
Non component maximum points	0	WindowsDescending part:	275
Non component maximum contours	0	Bevel:	-786432
Word weight type:	400	Underline position:	-75
Word width type:	5	Underline thickness:	50

Adobe

Rate:5.00

Fans:475

Area:United States

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