Pulp, issues 01–06
Source: https://twitter.com.License: All Rights Reserved.
Pulp 01–04
MillerBanner, but most of the pages are set inScotch ModernDisplay for headlines withCentury Expanded(an Esterson favorite) for text. The logo is based onFutura Black. Pulp is produced in two editions: Italian/English and French/Spanish. I particularly admire the way the designers handle the bilingual content on these pages. Everything feels roomy, dynamic, and non-repetitive, which is not an easy task when setting the same stuff twice. (Credit also goes to the editorial staff for limiting the text.)
In 2015, Esterson was awarded "Art Director of the Year" by the British Society of Magazine Editors for his work on Pulp.
Source: http://www.designplayground.it.License: All Rights Reserved.
Pulp 01
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Pulp 01
Source: https://twitter.com.License: All Rights Reserved.
Outer paper for Pulp 01.
Source: http://www.fedrigoniclub.com.License: All Rights Reserved.
Pulp 01 with Franklin Gothic. "Big" is from a project covered in the editorial content that used Miller Banner.
License: All Rights Reserved.
Issue 01
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Pulp 02
Source: https://twitter.com.License: All Rights Reserved.
Pulp 03
Source: http://pulp.fedrigoni.com.License: All Rights Reserved.
Pulp 06
Source: https://www.behance.net.License: All Rights Reserved.
Pulp 06
Source: https://www.behance.net.License: All Rights Reserved.
Pulp 06
Source: https://www.behance.net.License: All Rights Reserved.
Pulp 06. A nice way to handle the two languages.
Source: https://www.behance.net.License: All Rights Reserved.
Pulp 06
Source: https://www.behance.net.License: All Rights Reserved.
Pulp 06
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ShanhaiFonts
Brand:山海字库
Area:China
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Cangji Fonts
Brand: 仓迹字库
Area: China
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JT Foundry
Brand: 翰字铸造
Area: Taiwan, China
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Handmadefont
Brand:
Area: Estonia
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·千图字体
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HyFont Studio
Brand: 新美字库
Area: China
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