konkret, Issue 12/2013


Source: http://www.konkret-magazin.de.License: All Rights Reserved.
Typographic knee-jerk reactions, 1/2: Using blackletter to evoke Third Reich connotations.
The top story in the current issue of FF Brokenscript(1991). Of course, Just van Rossum's contemporary exploration of Fraktur letterforms has nothing to do with the Second World War propaganda nor the German schaftstiefelgrotesks of the mid 1930s. It is a "slightly ironic view of blackletter" (Jan Middendorp in Dutch Type) and "feels very contemporary and cool, rather than medieval and morbid" (FontFont). Reverting to a random blackletter for any allusion to Nazism is historically illiterate. It's a lame cliché that should be avoided.
See also this other — nicer — stereotypical use of FF Brokenscript.
-
ShanhaiFonts
Brand:山海字库
Area:China

-
Cangji Fonts
Brand: 仓迹字库
Area: China

-
JT Foundry
Brand: 翰字铸造
Area: Taiwan, China

-
Handmadefont
Brand:
Area: Estonia

-
·千图字体
-
HyFont Studio
Brand: 新美字库
Area: China

- ·The Form Book by Borries Schwesinger
- ·Königsblut identity
- ·Barbe à papa Cotton Candy
- ·Surabaya Beat by Beat Presser, Afterhours Books
- ·"Fantastic!" ad for Captain Fantastic & the Brown Dirt Cowboy by Elton John & Bernie Taupin
- ·Jim Nutt: Coming Into Character at Museum of Contemporary Art Chicago
- ·How to Read a Painting by Patrick de Rynck
- ·Sinnesreize / Embracing Sensation by Silvia Gertsch and Xerxes Ach
- ·Amazon Releases Ember Bold Font for the Kindle
- ·Alphabet Stories by Hermann Zapf






















